Monday, September 30, 2019

Night by Elie Weisel Book Analysis

Night Analysis Elie Wiesel’s use of language and structure emphasizes the meaning and tone of the selection. Closely examine the memoir and your annotations to find examples of these features of language and structure. Fill in the chart below, providing the definition of the device, 2-3 examples from the text complete with page number references, and the effect of each example on the context in which it is used and the work as a whole.Literary or Stylistic Device| Definition of Device| 3-4 Examples from the Text| Effect of Each Example | Anaphora| The repetition of a word or short phrase at the beginning of a sentence or sentences| 1)†Never shall I forget that night†¦Never shall I forget that smoke†¦Never shall I forget the small faces of the children†¦Never shall I forget those flames†¦Never shall I forget the nocturnal silence†¦Never shall I forget those moments that murdered my God†¦Never shall I forget those things†¦Never. † ( Wiesel 34)2)†Fire! I see a fire! I see a fire!..Look! Look at this fire! This terrible fire!.. Fire! I see a fire!.. Look at the fire! Look at the flames!.. Look at the fire! Look at the flames!.. Jews, look! Look at the fire! Look at the flames! † (Wiesel 24-28)3)†Blessed be the Almighty†¦Blessed be God’s name†¦Blessed be God’s name†¦Blessed be Thou, Almighty, Master of the Universe, who chose us among all nations to be tortured day and night†¦Ã¢â‚¬ (Wiesel 67)| 1) The effect of this example is that it shows how Wiesel will never forget anything that happened his first night in camp.Elie Wiesel says he won’t ever forget the smoke, nor the children he saw walk right into death. He won’t forget his lost faith, his silence, or the events that killed his God, his soul, and his dreams. Wiesel will never forget any of those, as long as he lives. Wiesel states, â€Å"Never shall I forget those things, even if I were conde mned to live as long as God Himself. Never. † No matter Wiesel does, or doesn’t do, we will always remember his first night in Birkenau. 2)The effect of this example is that it shows that Mrs.Schachter sees something continuously, but no one else on the cattle car sees it. The fact that she sees these flames and fire before they even arrive in Birkenau symbolizes their fate and death. Some people’s fate on the cattle car was to live and make it through some concentration camps. Others were destined to die in the crematorium with hundreds of others. Mrs. Schachter’s sanity was withering, and she began to hallucinate, even though she was telling the truth. 3)The ffect of this example is that it shows that through all the heartache and trials, the Jews have not lost complete faith. Them saying â€Å"Blessed be†¦Ã¢â‚¬  over and over again represents that they want God to help get them out of the trouble they have been placed in. | Diction| Word choice| 1)†Ã¢â‚¬ ¦A royal feast going to waste!.. A man appeared, crawling snakelike in the direction of the cauldrons. † (Wiesel 59)2)†Ã¢â‚¬ ¦Praised be Thy Holy Name, for having chosen us to be slaughtered on Thine altar? † (Wiesel 67)3)’†Here, take this knife,† he said. â€Å"I won’t need it anymore†¦ Also take this spoon. Me inheritance†¦Ã¢â‚¬â„¢ (Wiesel 75)| 1)The effect of this example is that it shows how rough their months and years have been in the concentration camps, so that when the Jews see 2 cauldrons of soup their minds go spinning. They realize that is the most food they have seen at one time. If the Holocaust had never happened, these Jews wouldn’t appreciate the food they had as much as they did when they came to the camps. The snakelike part enhances the actions of the old man and how secretive he was trying to be so no one would notice him.The way Wiesel uses the words make the actions of the Jews and th e man much more important than what they seem. 2) The effect of this example is that it shows how Elie Wiesel is questioning why he should praise God, if God was the one who left all his people alone to be killed with no purpose. Wiesel uses this question to demonstrate his lost faith and his need to question everything he has learned about God. 3) The effect of this example is that it shows how any typical person would be glad to get their inheritance (money, a car, etc. ).But the fact that all Wiesel’s family had left were a knife and silver spoon, shows how much the SS took from them. Wiesel didn’t even want to take his inheritance because that would have also meant letting go of the last family member he had with him. | Foreshadowing| A hint of what is going to happen| 1)†Mother was stroking my sister’s blond hair, as if to protect her. And I walked on with my father, with the men. I didn’t know that this was the moment in time and the place whe re I was leaving my mother and Tzipora forever. I kept walking, my father holding my hand. (Wiesel 29)2)†Just you wait, kid†¦You will see what it costs to leave your work†¦You’ll pay for this later†¦And now go back to your place†¦Ã¢â‚¬  (Wiesel 57)3)†Suddenly, the gate opened, and Stern, a former shopkeeper who now was a policeman, entered and took my father aside. Despite the growing darkness, I could see my father turn pale. † (Wiesel 12)| 1)The effect of this example is that it shows how naive and innocent Elie Wiesel was because he didn’t even realize he would never see his sister and mother again. Once he lost sight of them, he would never see nor hear from them again.The SS took so much away from Wiesel and the other Jews that they were too gullible to realize what was going on, and by then, it was too late. 2)The effect of this example is that it shows that because Elie was snooping around and not following the orders he wa s given, he was caught peaking on Idek and a Polish girl and will now â€Å"pay for this†. So now we, the readers, must wait to find out what unknown punishment Wiesel will receive. 3)The effect of this example is that is shows that because father got pale, the Jews began to know something bad was going to happen. Imagery| The use of vivid or figurative language to represent objects, actions, or ideas| 1)†Ã¢â‚¬ ¦They were forced to dig huge trenches. When they had finished their work, the men from the Gestapo began theirs. Without passion or haste, they shot their prisoners, who were forced to approach the trench one by one and offer their necks. Infants were tossed into the air and used as targets for their machine guns. This took place in the Galician forest, near Kolomay†¦Ã¢â‚¬  (Wiesel 6)2)†In front of us, those flames. In the air, the smell of burning flesh. It must have been around midnight. We had arrived.In Birkenau. â€Å" (Wiesel 28)3)†Not f ar from us, flames, huge flames, were rising from a ditch. Something was being burned there. A truck drew close and unloaded its hold: small children. Babies! Yes, I did see this, with my own eyes†¦children thrown into flames. (Is it any wonder that ever since, then sleep tends to elude me? )† (Wiesel 32)| 1)The effect of this example is that it we, the readers, can visualize what the Jews were doing as they dug their own graves without even knowing it. Those Jewish people had to dig the trenches, and then were shot without a word of prayer said over them. )The effect of this example is that as Wiesel is stepping off the cattle car and taking all this in, it is almost as if we are there with him. You can visualize the smell of burning bodies, and you can see the smoke and flames from the crematorium. This quote takes us to Birkenau and makes us imagine what Elie really saw. 3)The effect of this example is that we can almost see the flames, the ditch, and the babies being dumped into them and burned alive. This quote is so vivid and real that it’s almost like a dream, except for the fact that Elie Wiesel experienced it. Parallel Structure| The author maintains the same structure in the sentence| 1)†Never shall I forget†¦ Never shall I forget†¦ Never shall I forget†¦Never. † (Wiesel 34)2) â€Å"They passed me by, one after the other, my teachers, my friends, the others, some of whom I had once feared, some of whom I had found ridiculous, all of those whose lives I had shared for years. There they went, defeated, their bundles, their lives in tow, having left behind their childhood. They passed me by like beaten dogs†¦Ã¢â‚¬  (Wiesel 17)3)†He is very weak†¦ The weak don’t last very long around here†¦so weak. (Wiesel 45)| 1)The effect of this example is that Elie Wiesel is showing he won’t ever forget and when repeats it over and over, not just to let himself know that, but to let the readers know how significant that night was and how it will and has affected the rest of his life. 2)The effect of this example is that Wiesel is mentioning all the people who had lived in his community, wise or unwise, known or unheard of, they lived with him. And as they walk the streets, their heads are low, and they went by, defeated by the Germans. 3)The effect of this example emphasizes how weak Elie is, and how hard it is to stay healthy in their situation.Weak also shows how cruel the SS are to the Jews because if they weren’t so cruel to them, many of the Jews that were still living, would be strong and healthier than they were. | Polysyndeton| Repetition of a specific conjunction| 1)2)3)| 1)2)3)| Rhetorical Question| A question that is asked, but not meant to be answered| 1)2)3)| 1)2)3)| Symbolism| | 1)2)3)| 1)2)3)| Personification| | 1)2)3)| 1)2)3)| Metaphor| | 1)2)3)| 1)2)3)| Sentence Variety (Syntax)| | 1)2)3)| 1)2)3)| Irony| | 1)2)3)| 1)2)3)| Understatement| | 1)2)3)| 1)2)3)|

Sunday, September 29, 2019

A Game of Thrones Chapter Fifty-two

Jon Othor,† announced Ser Jaremy Rykker, â€Å"beyond a doubt. And this one was Jafer Flowers.† He turned the corpse over with his foot, and the dead white face stared up at the overcast sky with blue, blue eyes. â€Å"They were Ben Stark's men, both of them.† My uncle's men, Jon thought numbly. He remembered how he'd pleaded to ride with them. Gods, I was such a green boy. If he had taken me, it might be me lying here . . . Jafer's right wrist ended in the ruin of torn flesh and splintered bone left by Ghost's jaws. His right hand was floating in a jar of vinegar back in Maester Aemon's tower. His left hand, still at the end of his arm, was as black as his cloak. â€Å"Gods have mercy,† the Old Bear muttered. He swung down from his garron, handing his reins to Jon. The morning was unnaturally warm; beads of sweat dotted the Lord Commander's broad forehead like dew on a melon. His horse was nervous, rolling her eyes, backing away from the dead men as far as her lead would allow. Jon led her off a few paces, fighting to keep her from bolting. The horses did not like the feel of this place. For that matter, neither did Jon. The dogs liked it least of all. Ghost had led the party here; the pack of hounds had been useless. When Bass the kennelmaster had tried to get them to take the scent from the severed hand, they had gone wild, yowling and barking, fighting to get away. Even now they were snarling and whimpering by turns, pulling at their leashes while Chett cursed them for curs. It is only a wood, Jon told himself, and they're only dead men. He had seen dead men before . . . Last night he had dreamt the Winterfell dream again. He was wandering the empty castle, searching for his father, descending into the crypts. Only this time the dream had gone further than before. In the dark he'd heard the scrape of stone on stone. When he turned he saw that the vaults were opening, one after the other. As the dead kings came stumbling from their cold black graves, Jon had woken in pitch-dark, his heart hammering. Even when Ghost leapt up on the bed to nuzzle at his face, he could not shake his deep sense of terror. He dared not go back to sleep. Instead he had climbed the Wall and walked, restless, until he saw the light of the dawn off to the cast. It was only a dream. I am a brother of the Night's Watch now, not a frightened boy. Samwell Tarly huddled beneath the trees, half-hidden behind the horses. His round fat face was the color of curdled milk. So far he had not lurched off to the woods to retch, but he had not so much as glanced at the dead men either. â€Å"I can't look,† he whispered miserably. â€Å"You have to look,† Jon told him, keeping his voice low so the others would not hear. â€Å"Maester Aemon sent you to be his eyes, didn't he? What good are eyes if they're shut?† â€Å"Yes, but . . . I'm such a coward, Jon.† Jon put a hand on Sam's shoulder. â€Å"We have a dozen rangers with us, and the dogs, even Ghost. No one will hurt you, Sam. Go ahead and look. The first look is the hardest.† Sam gave a tremulous nod, working up his courage with a visible effort. Slowly he swiveled his head. His eyes widened, but Jon held his arm so he could not turn away. â€Å"Ser Jaremy,† the Old Bear asked gruffly, â€Å"Ben Stark had six men with him when he rode from the Wall. Where are the others?† Ser Jaremy shook his head. â€Å"Would that I knew.† Plainly Mormont was not pleased with that answer. â€Å"Two of our brothers butchered almost within sight of the Wall, yet your rangers heard nothing, saw nothing. Is this what the Night's Watch has fallen to? Do we still sweep these woods?† â€Å"Yes, my lord, but—† â€Å"Do we still mount watches?† â€Å"We do, but—† â€Å"This man wears a hunting horn.† Mormont pointed at Othor. â€Å"Must I suppose that he died without sounding it? Or have your rangers all gone deaf as well as blind?† Ser Jaremy bristled, his face taut with anger. â€Å"No horn was blown, my lord, or my rangers would have heard it. I do not have sufficient men to mount as many patrols as I should like . . . and since Benjen was lost, we have stayed closer to the Wall than we were wont to do before, by your own command.† The Old Bear grunted. â€Å"Yes. Well. Be that as it may.† He made an impatient gesture. â€Å"Tell me how they died.† Squatting beside the dead man he had named Jafer Flowers, Ser Jaremy grasped his head by the scalp. The hair came out between his fingers, brittle as straw. The knight cursed and shoved at the face with the heel of his hand. A great gash in the side of the corpse's neck opened like a mouth, crusted with dried blood. Only a few ropes of pale tendon still attached the head to the neck. â€Å"This was done with an axe.† â€Å"Aye,† muttered Dywen, the old forester. â€Å"Belike the axe that Othor carried, m'lord.† Jon could feel his breakfast churning in his belly, but he pressed his lips together and made himself look at the second body. Othor had been a big ugly man, and he made a big ugly corpse. No axe was in evidence. Jon remembered Othor; he had been the one bellowing the bawdy song as the rangers rode out. His singing days were done. His flesh was blanched white as milk, everywhere but his hands. His hands were black like Jafer's. Blossoms of hard cracked blood decorated the mortal wounds that covered him like a rash, breast and groin and throat. Yet his eyes were still open. They stared up at the sky, blue as sapphires. Ser Jaremy stood. â€Å"The wildlings have axes too.† Mormont rounded on him. â€Å"So you believe this is Mance Rayder's work? This close to the Wall?† â€Å"Who else, my lord?† Jon could have told him. He knew, they all knew, yet no man of them would say the words. The Others are only a story, a tale to make children shiver. If they ever lived at all, they are gone eight thousand years. Even the thought made him feel foolish; he was a man grown now, a black brother of the Night's Watch, not the boy who'd once sat at Old Nan's feet with Bran and Robb and Arya. Yet Lord Commander Mormont gave a snort. â€Å"If Ben Stark had come under wildling attack a half day's ride from Castle Black, he would have returned for more men, chased the killers through all seven hells and brought me back their heads.† â€Å"Unless he was slain as well,† Ser Jaremy insisted. The words hurt, even now. It had been so long, it seemed folly to cling to the hope that Ben Stark was still alive, but Jon Snow was nothing if not stubborn. â€Å"It has been close on half a year since Benjen left us, my lord,† Ser Jaremy went on. â€Å"The forest is vast. The wildlings might have fallen on him anywhere. I'd wager these two were the last survivors of his party, on their way back to us . . . but the enemy caught them before they could reach the safety of the Wall. The corpses are still fresh, these men cannot have been dead more than a day . . . .† â€Å"No,† Samwell Tarly squeaked. Jon was startled. Sam's nervous, high-pitched voice was the last he would have expected to hear. The fat boy was frightened of the officers, and Ser Jaremy was not known for his patience. â€Å"I did not ask for your views, boy,† Rykker said coldly. â€Å"Let him speak, ser,† Jon blurted. Mormont's eyes flicked from Sam to Jon and back again. â€Å"If the lad has something to say, I'll hear him out. Come closer, boy. We can't see you behind those horses.† Sam edged past Jon and the garrons, sweating profusely. â€Å"My lord, it . . . it can't be a day or . . . look . . . the blood . . . â€Å" â€Å"Yes?† Mormont growled impatiently. â€Å"Blood, what of it?† â€Å"He soils his smallclothes at the sight of it,† Chett shouted out, and the rangers laughed. Sam mopped at the sweat on his brow. â€Å"You . . . you can see where Ghost . . . Jon's direwolf . . . you can see where he tore off that man's hand, and yet . . . the stump hasn't bled, look . . . † He waved a hand. â€Å"My father . . . L-lord Randyll, he, he made me watch him dress animals sometimes, when . . . after . . . † Sam shook his head from side to side, his chins quivering. Now that he had looked at the bodies, he could not seem to look away. â€Å"A fresh kill . . . the blood would still flow, my lords. Later . . . later it would be clotted, like a . . . a jelly, thick and . . . and . . . † He looked as though he was going to be sick. â€Å"This man . . . look at the wrist, it's all . . . crusty . . . dry . . . like . . . â€Å" Jon saw at once what Sam meant. He could see the torn veins in the dead man's wrist, iron worms in the pale flesh. His blood was a black dust. Yet Jaremy Rykker was unconvinced. â€Å"If they'd been dead much longer than a day, they'd be ripe by now, boy. They don't even smell.† Dywen, the gnarled old forester who liked to boast that he could smell snow coming on, sidled closer to the corpses and took a whiff. â€Å"Well, they're no pansy flowers, but . . . m'lord has the truth of it. There's no corpse stink.† â€Å"They . . . they aren't rotting.† Sam pointed, his fat finger shaking only a little. â€Å"Look, there's . . . there's no maggots or . . . or . . . worms or anything . . . they've been lying here in the woods, but they . . . they haven't been chewed or eaten by animals . . . only Ghost . . . otherwise they're . . . they're . . . â€Å" â€Å"Untouched,† Jon said softly. â€Å"And Ghost is different. The dogs and the horses won't go near them.† The rangers exchanged glances; they could see it was true, every man of them. Mormont frowned, glancing from the corpses to the dogs. â€Å"Chett, bring the hounds closer.† Chett tried, cursing, yanking on the leashes, giving one animal a lick of his boot. Most of the dogs just whimpered and planted their feet. He tried dragging one. The bitch resisted, growling and squirming as if to escape her collar. Finally she lunged at him. Chett dropped the leash and stumbled backward. The dog leapt over him and bounded off into the trees. â€Å"This . . . this is all wrong,† Sam Tarly said earnestly. â€Å"The blood . . . there's bloodstains on their clothes, and . . . and their flesh, dry and hard, but . . . there's none on the ground, or . . . anywhere. With those . . . those . . . those . . . † Sam made himself swallow, took a deep breath. â€Å"With those wounds . . . terrible wounds . . . there should be blood all over. Shouldn't there?† Dywen sucked at his wooden teeth. â€Å"Might be they didn't die here. Might be someone brought 'em and left 'em for us. A warning, as like.† The old forester peered down suspiciously. â€Å"And might be I'm a fool, but I don't know that Othor never had no blue eyes afore.† Ser Jaremy looked startled. â€Å"Neither did Flowers,† he blurted, turning to stare at the dead man. A silence fell over the wood. For a moment all they heard was Sam's heavy breathing and the wet sound of Dywen sucking on his teeth. Jon squatted beside Ghost. â€Å"Burn them,† someone whispered. One of the rangers; Jon could not have said who. â€Å"Yes, burn them,† a second voice urged. The Old Bear gave a stubborn shake of his head. â€Å"Not yet. I want Maester Aemon to have a look at them. We'll bring them back to the Wall.† Some commands are more easily given than obeyed. They wrapped the dead men in cloaks, but when Hake and Dywen tried to tie one onto a horse, the animal went mad, screaming and rearing, lashing out with its hooves, even biting at Ketter when he ran to help. The rangers had no better luck with the other garrons; not even the most placid wanted any part of these burdens. In the end they were forced to hack off branches and fashion crude slings to carry the corpses back on foot. It was well past midday by the time they started back. â€Å"I will have these woods searched,† Mormont commanded Ser Jaremy as they set out. â€Å"Every tree, every rock, every bush, and every foot of muddy ground within ten leagues of here. Use all the men you have, and if you do not have enough, borrow hunters and foresters from the stewards. If Ben and the others are out here, dead or alive, I will have them found. And if there is anyone else in these woods, I will know of it. You are to track them and take them, alive if possible. Is that understood?† â€Å"It is, my lord,† Ser Jaremy said. â€Å"It will be done.† After that, Mormont rode in silence, brooding. Jon followed close behind him; as the Lord Commander's steward, that was his place. The day was grey, damp, overcast, the sort of day that made you wish for rain. No wind stirred the wood; the air hung humid and heavy, and Jon's clothes clung to his skin. It was warm. Too warm. The Wall was weeping copiously, had been weeping for days, and sometimes Jon even imagined it was shrinking. The old men called this weather spirit summer, and said it meant the season was giving up its ghosts at last. After this the cold would come, they warned, and a long summer always meant a long winter. This summer had lasted ten years. Jon had been a babe in arms when it began. Ghost ran with them for a time and then vanished among the trees. Without the direwolf, Jon felt almost naked. He found himself glancing at every shadow with unease. Unbidden, he thought back on the tales that Old Nan used to tell them, when he was a boy at Winterfell. He could almost hear her voice again, and the click-click-click of her needles. In that darkness, the Others came riding, she used to say, dropping her voice lower and lower. Cold and dead they were, and they hated iron and fire and the touch of the sun, and every living creature with hot blood in its veins. Holdfasts and cities and kingdoms of men all fell before them, as they moved south on pale dead horses, leading hosts of the slain. They fed their dead servants on the flesh of human children . . . When he caught his first glimpse of the Wall looming above the tops of an ancient gnarled oak, Jon was vastly relieved. Mormont reined up suddenly and turned in his saddle. â€Å"Tarly,† he barked, â€Å"come here.† Jon saw the start of fright on Sam's face as he lumbered up on his mare; doubtless he thought he was in trouble. â€Å"You're fat but you're not stupid, boy,† the Old Bear said gruffly. â€Å"You did well back there. And you, Snow.† Sam blushed a vivid crimson and tripped over his own tongue as he tried to stammer out a courtesy. Jon had to smile. When they emerged from under the trees, Mormont spurred his tough little garron to a trot. Ghost came streaking out from the woods to meet them, licking his chops, his muzzle red from prey. High above, the men on the Wall saw the column approaching. Jon heard the deep, throaty call of the watchman's great horn, calling out across the miles; a single long blast that shuddered through the trees and echoed off the ice. UUUUUUUOOOOOOOOOOOOOOooooooooooooooooooooooo. The sound faded slowly to silence. One blast meant rangers returning, and Jon thought, I was a ranger for one day, at least. Whatever may come, they cannot take that away from me. Bowen Marsh was waiting at the first gate as they led their garrons through the icy tunnel. The Lord Steward was red-faced and agitated. â€Å"My lord,† he blurted at Mormont as he swung open the iron bars, â€Å"there's been a bird, you must come at once.† â€Å"What is it, man?† Mormont said gruffly. Curiously, Marsh glanced at Jon before he answered. â€Å"Maester Aemon has the letter. He's waiting in your solar.† â€Å"Very well. Jon, see to my horse, and tell Ser Jaremy to put the dead men in a storeroom until the maester is ready for them.† Mormont strode away grumbling. As they led their horses back to the stable, Jon was uncomfortably aware that people were watching him. Ser Alliser Thorne was drilling his boys in the yard, but he broke off to stare at Jon, a faint half smile on his lips. One-armed Donal Noye stood in the door of the armory. â€Å"The gods be with you, Snow,† he called out. Something's wrong, Jon thought. Something's very wrong. The dead men were carried to one of the storerooms along the base of the Wall, a dark cold cell chiseled from the ice and used to keep meat and grain and sometimes even beer. Jon saw that Mormont's horse was fed and watered and groomed before he took care of his own. Afterward he sought out his friends. Grenn and Toad were on watch, but he found Pyp in the common hall. â€Å"What's happened?† he asked. Pyp lowered his voice. â€Å"The king's dead.† Jon was stunned. Robert Baratheon had looked old and fat when he visited Winterfell, yet he'd seemed hale enough, and there'd been no talk of illness. â€Å"How can you know?† â€Å"One of the guards overheard Clydas reading the letter to Maester Aemon.† Pyp leaned close. â€Å"Jon, I'm sorry. He was your father's friend, wasn't he?† â€Å"They were as close as brothers, once.† Jon wondered if Joffrey would keep his father as the King's Hand. It did not seem likely. That might mean Lord Eddard would return to Winterfell, and his sisters as well. He might even be allowed to visit them, with Lord Mormont's permission. It would be good to see Arya's grin again and to talk with his father. I will ask him about my mother, he resolved. I am a man now, it is past time he told me. Even if she was a whore, I don't care, I want to know. â€Å"I heard Hake say the dead men were your uncle's,† Pyp said. â€Å"Yes,† Jon replied. â€Å"Two of the six he took with him. They'd been dead a long time, only . . . the bodies are queer.† â€Å"Queer?† Pyp was all curiosity. â€Å"How queer?† â€Å"Sam will tell you.† Jon did not want to talk of it. â€Å"I should see if the Old Bear has need of me.† He walked to the Lord Commander's Tower alone, with a curious sense of apprehension. The brothers on guard eyed him solemnly as he approached. â€Å"The Old Bear's in his solar,† one of them announced. â€Å"He was asking for you.† Jon nodded. He should have come straight from the stable. He climbed the tower steps briskly. He wants wine or a fire in his hearth, that's all, he told himself. When he entered the solar, Mormont's raven screamed at him. â€Å"Corn!† the bird shrieked. â€Å"Corn! Corn! Corn!† â€Å"Don't you believe it, I just fed him,† the Old Bear growled. He was seated by the window, reading a letter. â€Å"Bring me a cup of wine, and pour one for yourself.† â€Å"For myself, my lord?† Mormont lifted his eyes from the letter to stare at Jon. There was pity in that look; he could taste it. â€Å"You heard me.† Jon poured with exaggerated care, vaguely aware that he was drawing out the act. When the cups were filled, he would have no choice but to face whatever was in that letter. Yet all too soon, they were filled. â€Å"Sit, boy,† Mormont commanded him. â€Å"Drink.† Jon remained standing. â€Å"It's my father, isn't it?† The Old Bear tapped the letter with a finger. â€Å"Your father and the king,† he rumbled. â€Å"I won't lie to you, it's grievous news. I never thought to see another king, not at my age, with Robert half my years and strong as a bull.† He took a gulp of wine. â€Å"They say the king loved to hunt. The things we love destroy us every time, lad. Remember that. My son loved that young wife of his. Vain woman. If not for her, he would never have thought to sell those poachers.† Jon could scarcely follow what he was saying. â€Å"My lord, I don't understand. What's happened to my father?† â€Å"I told you to sit,† Mormont grumbled. â€Å"Sit,† the raven screamed. â€Å"And have a drink, damn you. That's a command, Snow.† Jon sat, and took a sip of wine. â€Å"Lord Eddard has been imprisoned. He is charged with treason. It is said he plotted with Robert's brothers to deny the throne to Prince Joffrey.† â€Å"No,† Jon said at once. â€Å"That couldn't be. My father would never betray the king!† â€Å"Be that as it may,† said Mormont. â€Å"It is not for me to say. Nor for you.† â€Å"But it's a lie,† Jon insisted. How could they think his father was a traitor, had they all gone mad? Lord Eddard Stark would never dishonor himself . . . would he? He fathered a bastard, a small voice whispered inside him. Where was the honor in that? And your mother, what of her? He will not even speak her name. â€Å"My lord, what will happen to him? Will they kill him?† â€Å"As to that, I cannot say, lad. I mean to send a letter. I knew some of the king's councillors in my youth. Old Pycelle, Lord Stannis, Ser Barristan . . . Whatever your father has done, or hasn't done, he is a great lord. He must be allowed to take the black and join us here. Gods knows, we need men of Lord Eddard's ability.† Jon knew that other men accused of treason had been allowed to redeem their honor on the Wall in days past. Why not Lord Eddard? His father here. That was a strange thought, and strangely uncomfortable. It would be a monstrous injustice to strip him of Winterfell and force him to take the black, and yet if it meant his life . . . And would Joffrey allow it? He remembered the prince at Winterfell, the way he'd mocked Robb and Ser Rodrik in the yard. Jon himself he had scarcely even noticed; bastards were beneath even his contempt. â€Å"My lord, will the king listen to you?† The Old Bear shrugged. â€Å"A boy king . . . I imagine he'll listen to his mother. A pity the dwarf isn't with them. He's the lad's uncle, and he saw our need when he visited us. It was a bad thing, your lady mother taking him captive—† â€Å"Lady Stark is not my mother,† Jon reminded him sharply. Tyrion Lannister had been a friend to him. If Lord Eddard was killed, she would be as much to blame as the queen. â€Å"My lord, what of my sisters? Arya and Sansa, they were with my father, do you know—† â€Å"Pycelle makes no mention of them, but doubtless they'll be treated gently. I will ask about them when I write.† Mormont shook his head. â€Å"This could not have happened at a worse time. If ever the realm needed a strong king . . . there are dark days and cold nights ahead, I feel it in my bones . . . † He gave Jon a long shrewd look. â€Å"I hope you are not thinking of doing anything stupid, boy.† He's my father, Jon wanted to say, but he knew that Mormont would not want to hear it. His throat was dry. He made himself take another sip of wine. â€Å"Your duty is here now,† the Lord Commander reminded him. â€Å"Your old life ended when you took the black.† His bird made a raucous echo. â€Å"Black.† Mormont took no notice. â€Å"Whatever they do in King's Landing is none of our concern.† When Jon did not answer, the old man finished his wine and said, â€Å"You're free to go. I'll have no further need of you today. On the morrow you can help me write that letter.† Jon did not remember standing or leaving the solar. The next he knew, he was descending the tower steps, thinking, This is my father, my sisters, how can it be none of my concern? Outside, one of the guards looked at him and said, â€Å"Be strong, boy. The gods are cruel.† They know, Jon realized. â€Å"My father is no traitor,† he said hoarsely. Even the words stuck in his throat, as if to choke him. The wind was rising, and it seemed colder in the yard than it had when he'd gone in. Spirit summer was drawing to an end. The rest of the afternoon passed as if in a dream. Jon could not have said where he walked, what he did, who he spoke with. Ghost was with him, he knew that much. The silent presence of the direwolf gave him comfort. The girls do not even have that much, he thought. Their wolves might have kept them safe, but Lady is dead and Nymeria's lost, they're all alone. A north wind had begun to blow by the time the sun went down. Jon could hear it skirling against the Wall and over the icy battlements as he went to the common hall for the evening meal. Hobb had cooked up a venison stew, thick with barley, onions, and carrots. When he spooned an extra portion onto Jon's plate and gave him the crusty heel of the bread, he knew what it meant. He knows. He looked around the hall, saw heads turn quickly, eyes politely averted. They all know. His friends rallied to him. â€Å"We asked the septon to light a candle for your father,† Matthar told him. â€Å"It's a lie, we all know it's a lie, even Grenn knows it's a lie,† Pyp chimed in. Grenn nodded, and Sam clasped Jon's hand, â€Å"You're my brother now, so he's my father too,† the fat boy said. â€Å"If you want to go out to the weirwoods and pray to the old gods, I'll go with you.† The weirwoods were beyond the Wall, yet he knew Sam meant what he said. They are my brothers, he thought. As much as Robb and Bran and Rickon . . . And then he heard the laughter, sharp and cruel as a whip, and the voice of Ser Alliser Thorne. â€Å"Not only a bastard, but a traitor's bastard,† he was telling the men around him. In the blink of an eye, Jon had vaulted onto the table, dagger in his hand. Pyp made a grab for him, but he wrenched his leg away, and then he was sprinting down the table and kicking the bowl from Ser Alliser's hand. Stew went flying everywhere, spattering the brothers. Thorne recoiled. People were shouting, but Jon Snow did not hear them. He lunged at Ser Alliser's face with the dagger, slashing at those cold onyx eyes, but Sam threw himself between them and before Jon could get around him, Pyp was on his back clinging like a monkey, and Grenn was grabbing his arm while Toad wrenched the knife from his fingers. Later, much later, after they had marched him back to his sleeping cell, Mormont came down to see him, raven on his shoulder. â€Å"I told you not to do anything stupid, boy,† the Old Bear said. â€Å"Boy,† the bird chorused. Mormont shook his head, disgusted. â€Å"And to think I had high hopes for you.† They took his knife and his sword and told him he was not to leave his cell until the high officers met to decide what was to be done with him. And then they placed a guard outside his door to make certain he obeyed. His friends were not allowed to see him, but the Old Bear did relent and permit him Ghost, so he was not utterly alone. â€Å"My father is no traitor,† he told the direwolf when the rest had gone. Ghost looked at him in silence. Jon slumped against the wall, hands around his knees, and stared at the candle on the table beside his narrow bed. The flame flickered and swayed, the shadows moved around him, the room seemed to grow darker and colder. I will not sleep tonight, Jon thought. Yet he must have dozed. When he woke, his legs were stiff and cramped and the candle had long since burned out. Ghost stood on his hind legs, scrabbling at the door. Jon was startled to see how tall he'd grown. â€Å"Ghost, what is it?† he called softly. The direwolf turned his head and looked down at him, baring his fangs in a silent snarl. Has he gone mad? Jon wondered. â€Å"It's me, Ghost,† he murmured, trying not to sound afraid. Yet he was trembling, violently. When had it gotten so cold? Ghost backed away from the door. There were deep gouges where he'd raked the wood. Jon watched him with mounting disquiet. â€Å"There's someone out there, isn't there?† he whispered. Crouching, the direwolf crept backward, white fur rising on the back of his neck. The guard, he thought, they left a man to guard my door, Ghost smells him through the door, that's all it is. Slowly, Jon pushed himself to his feet. He was shivering uncontrollably, wishing he still had a sword. Three quick steps brought him to the door. He grabbed the handle and pulled it inward. The creak of the hinges almost made him jump. His guard was sprawled bonelessly across the narrow steps, looking up at him. Looking up at him, even though he was lying on his stomach. His head had been twisted completely around. It can't be, Jon told himself. This is the Lord Commander's Tower, it's guarded day and night, this couldn't happen, it's a dream, I'm having a nightmare. Ghost slid past him, out the door. The wolf started up the steps, stopped, looked back at Jon. That was when he heard it; the soft scrape of a boot on stone, the sound of a latch turning. The sounds came from above. From the Lord Commander's chambers. A nightmare this might be, yet it was no dream. The guard's sword was in its sheath. Jon knelt and worked it free. The heft of steel in his fist made him bolder. He moved up the steps, Ghost padding silently before him. Shadows lurked in every turn of the stair. Jon crept up warily, probing any suspicious darkness with the point of his sword. Suddenly he heard the shriek of Mormont's raven. â€Å"Corn,† the bird was screaming. â€Å"Corn, corn, corn, corn, corn, corn.† Ghost bounded ahead, and Jon came scrambling after. The door to Mormont's solar was wide open. The direwolf plunged through. Jon stopped in the doorway, blade in hand, giving his eyes a moment to adjust. Heavy drapes had been pulled across the windows, and the darkness was black as ink. â€Å"Who's there?† he called out. Then he saw it, a shadow in the shadows, sliding toward the inner door that led to Mormont's sleeping cell, a man-shape all in black, cloaked and hooded . . . but beneath the hood, its eyes shone with an icy blue radiance . . . Ghost leapt. Man and wolf went down together with neither scream nor snarl, rolling, smashing into a chair, knocking over a table laden with papers. Mormont's raven was flapping overhead, screaming, â€Å"Corn, corn, corn, corn.† Jon felt as blind as Maester Aemon. Keeping the wall to his back, he slid toward the window and ripped down the curtain. Moonlight flooded the solar. He glimpsed black hands buried in white fur, swollen dark fingers tightening around his direwolf's throat. Ghost was twisting and snapping, legs flailing in the air, but he could not break free. Jon had no time to be afraid. He threw himself forward, shouting, bringing down the longsword with all his weight behind it. Steel sheared through sleeve and skin and bone, yet the sound was wrong somehow. The smell that engulfed him was so queer and cold he almost gagged. He saw arm and hand on the floor, black fingers wriggling in a pool of moonlight. Ghost wrenched free of the other hand and crept away, red tongue lolling from his mouth. The hooded man lifted his pale moon face, and Jon slashed at it without hesitation. The sword laid the intruder open to the bone, taking off half his nose and opening a gash cheek to cheek under those eyes, eyes, eyes like blue stars burning. Jon knew that face. Othor, he thought, reeling back. Gods, he's dead, he's dead, I saw him dead. He felt something scrabble at his ankle. Black fingers clawed at his calf. The arm was crawling up his leg, ripping at wool and flesh. Shouting with revulsion, Jon pried the fingers off his leg with the point of his sword and flipped the thing away. It lay writhing, fingers opening and closing. The corpse lurched forward. There was no blood. One-armed, face cut near in half, it seemed to feel nothing. Jon held the longsword before him. â€Å"Stay away!† he commanded, his voice gone shrill. â€Å"Corn,† screamed the raven, â€Å"corn, corn.† The severed arm was wriggling out of its torn sleeve, a pale snake with a black five-fingered head. Ghost pounced and got it between his teeth. Finger bones crunched. Jon hacked at the corpse's neck, felt the steel bite deep and hard. Dead Othor slammed into him, knocking him off his feet. Jon's breath went out of him as the fallen table caught him between his shoulder blades. The sword, where was the sword? He'd lost the damned sword! When he opened his mouth to scream, the wight jammed its black corpse fingers into Jon's mouth. Gagging, he tried to shove it off, but the dead man was too heavy. Its hand forced itself farther down his throat, icy cold, choking him. Its face was against his own, filling the world. Frost covered its eyes, sparkling blue. Jon raked cold flesh with his nails and kicked at the thing's legs. He tried to bite, tried to punch, tried to breathe . . . And suddenly the corpse's weight was gone, its fingers ripped from his throat. It was all Jon could do to roll over, retching and shaking. Ghost had it again. He watched as the direwolf buried his teeth in the wight's gut and began to rip and tear. He watched, only half conscious, for a long moment before he finally remembered to look for his sword . . . . . . and saw Lord Mormont, naked and groggy from sleep, standing in the doorway with an oil lamp in hand. Gnawed and fingerless, the arm thrashed on the floor, wriggling toward him. Jon tried to shout, but his voice was gone. Staggering to his feet, he kicked the arm away and snatched the lamp from the Old Bear's fingers. The flame flickered and almost died. â€Å"Burn!† the raven cawed. â€Å"Burn, burn, burn!† Spinning, Jon saw the drapes he'd ripped from the window. He flung the lamp into the puddled cloth with both hands. Metal crunched, glass shattered, oil spewed, and the hangings went up in a great whoosh of flame. The heat of it on his face was sweeter than any kiss Jon had ever known. â€Å"Ghost!† he shouted. The direwolf wrenched free and came to him as the wight struggled to rise, dark snakes spilling from the great wound in its belly. Jon plunged his hand into the flames, grabbed a fistful of the burning drapes, and whipped them at the dead man. Let it burn, he prayed as the cloth smothered the corpse, gods, please, please, let it burn.

Saturday, September 28, 2019

America from 1790 to 1845 Essay Example | Topics and Well Written Essays - 250 words

America from 1790 to 1845 - Essay Example The work force consisted of former slaves who had been freed, Native Americans and Irish immigrants from New York who had come in search of jobs at a salary of $12 per month. A densely forested pass in the Appalachian mountains was cut through using instruments like the axe and the shovel. The engineers and workers constructed locks, and by-passed waterfalls. After the canal was opened for traffic, many cities sprang up on its banks. It facilitated trade between the East and the West. The young nation became a well knit nation because of the canal According to the author,.if the canal had not been built during that time, the western states of the United States might have formed a separate nation. The story of the Erie canal is very inspiring, and the engineers and workmen who achieved it in spite of many hardships are praiseworthy. I do not agree with the author that the West would have become a separate nation if the canal had not been built at that time.

Friday, September 27, 2019

Write an analysis of Shakespeare's use of language in Act 1 scene 5 of Essay

Write an analysis of Shakespeare's use of language in Act 1 scene 5 of Twelth Night. You should also comment as appropriate on the relationship between language - Essay Example o-earth characters who appeal to the working classes, side-by-side with complexities of plot which would satisfy the appetites of the aristocrats among the audience† (Geraghty, 2002). To create these complexities that could interest the aristocracy as well as the commoners, Shakespeare’s plays usually contained some form of commentary upon his society and its values within the text and Twelfth Night, or, What You Will is no exception. The play is a romantic comedy, relating the story of a pair of twins washed up separately upon the same shore, each thinking the other is dead, which happen to come individually upon a pair of nobles and romantic foolishness ensues. Through a variety of language styles, diction and word play, Shakespeare manages to convey social position as well as degree of intelligence within his characters in such a way that calls into question the prevailing assumptions and conceptions of his day as can be seen through an analysis of Act 1, Scene 5 of t he play. This scene is neatly divided by the arrivals of two of the characters to Olivia’s house. At the opening of the scene, Feste, the house jester, returns after an unexplained absence and must charm his way back into his mistress’ good graces. In doing so, he makes jokes with the other characters present until the scene is interrupted by the arrival of Viola, disguised as Cesario, delivering a message of love from Duke Orsino for Olivia. The conversation between Olivia and Cesario sparks an immediate and intense interest from Olivia. In both halves of this scene, language variety reveals social class as well as sincerity of intention within the characters portrayed. An example of how variety of language style is used in the first part of this scene can be found as the language style of Feste changes depending upon whom he is speaking with. As he speaks with fellow servant Maria, his responses are quick witticisms based upon sexual innuendo: â€Å"He that is well hanged in this

Thursday, September 26, 2019

NHS omputer System Failures Affecting Patient Care Assignment

NHS omputer System Failures Affecting Patient Care - Assignment Example Computers have assisted man ever since their inception. This assignment describes the infusion of Information Technology in the field of health and medicine that has led to the rebirth of the said field. Technological advancements that have affected the field of health were described in the assignment and have affected the human society as a whole directly and have mostly proved to be beneficial rather than hazardous. The researcher focuses on analysis of the NHS OR NATIONAL HEALTH SERVICE that is an organization that was established in UK. The core idea behind the establishment of National Health Services-NHS was to provide high quality of healthcare to all the patients. This was specially intended keeping in mind that no patient should be made to suffer because of his financial stature. Thus apart from very few procedures the NHS unanimously provides medical services to all its patients that are UK residents. Since its inception, there was always one issue or the other that inhibit ed the successful growth of the system, such as the delaying of computerized scheduled patient operations, subscription of timely and accurate medicines, failing to detect and ensure treatment of cancer patients within two weeks and those of emergent nature within four hours. The researcher analyzed and investigated problems, that were mentioned above and provided his own opinion on success of the National Health Services organization as well as some gave some recommendations and solutions found to solve the problems.

Organizational culture is fundamentally about symbolic meaning and as Essay - 6

Organizational culture is fundamentally about symbolic meaning and as such cannot be managed. Discuss - Essay Example The reason for such is that once a given culture is introduced into an organization, it ceases to become part of the manageable aspect of the organization but becomes a self regulatory aspect which anybody who joins the system in any rank automatically becomes assimilated into. This is the trend in most organizations. The following discourse mainly focuses on organizational cultures in view of their symbolic meanings and the implications they have on managements. The standards adopted or entrenched in the cultural domain of an organization are very important determinants in its productivity and overall performance. The quality of the customer care service, for instance, is one of the symbolic natures of the organizational attitude since this is the point of the first interaction between a client and the organization’s staff. It is imperative to note that even the quality of the products, levels of safety, and environmental care policies are basis of a firm’s tradition t hat can hardly be altered through the management process. This extends to the marketing mix techniques of a firm, methods of value creation, and the desire to develop new products in the market. The organization must also have a predetermined management structure. It is important to note that the culture of an organization is the symbol of its identity. Consequently, it is not easy to be changed by emerging management dynamics. It is a tradition that gradually grows with the company and ends up defining its overall operational discourse. This simply means that even if a new person is recruited into the firm in any position, one would be compelled to do things in line with the path of action already created. The tradition of an organization also looks like a template onto which all the guidelines towards the anticipated behaviors judged against. It is worth noting that an organization is just like any other social entity with many people working towards achieving a specific goal just like in the rest of the society. In that respect, it can be compared to the general society where, in most cases, the norms are not written anywhere but generations change without manipulating any aspect of the age old traditions. Besides, every generation is always compelled to conform to the dictates of existing norms. The way each organization runs its activities is always unique. This even includes such aspects as public perception of the organization which end up defining the organizational culture. These features are always based on beliefs, attitudes, and customs of the organization. They must always be adhered to for smooth working relations and comfortable working environments. This is not an issue of an overnight arrangement but it is built over a long period of time until it becomes the basis of all the policies of the organization which even the top managers cannot deviate from through any managerial action. The organizational culture is simply a platform on which a man agement tests and implements organizational policies. Take the case of the social standard of top brass managers and how they relate to other employees or members of the public; this is likely to give the true picture of a company (Woodside, 2010). The behavioral conduct of the organizatio

Tuesday, September 24, 2019

Philosophy of Science (follow on piece) Coursework

Philosophy of Science (follow on piece) - Coursework Example e European astrologists pay more attention to planets and their supposed influence on the people, while their counterparts in Ancient Egypt were more concerned with constellations and attributed the similar functions to them. If an astrologist practices this science in such a way and comes to such remarkable results, then surely the latter should be taken into close consideration and carefully examined. However, even such remarkable fact will not be able to prove that astrology in general is a real science and many people who practice it before did not care to perform such experiments and were not strict about their scientific investigation. As for a shift in paradigm of astrology, it is true that sometimes sciences discover fundamental facts do not need more proof. However, in case of astrology, one might suggest that there has not been hardly any proof of its postulates. That is why if a careful investigation is done, the alleged influence of the planets might need to be

Monday, September 23, 2019

Health Promotion Research Paper Example | Topics and Well Written Essays - 2000 words

Health Promotion - Research Paper Example What are the impacts of the changes on families across the nation? What can be done differently? What does the future hold? All these questions are very important given the fact that populations are aging, there is an increase in health care costs, medicines are increasingly becoming costly and the population lacking health coverage are on the rise too. There are several key factors that influence people’s approach to health care delivery. These include cultural values and beliefs, situational and economic factors. Economic realities have the greatest influence on the design of the health care delivery systems (Palley, 1995). The United States health expenditures with reference to the Health Care Financing Administration (1998) were as illustrated in the table below; In a review of the data, Weiss and Lonnquist (2000) came to a conclusion that the United States has the most expensive and demanding health care system as compared to other countries in the world. In comparison to other sectors of the economy, there has been a more rapid growth. Viewed from another angle, an examination of the expenditure on national health care in relation to GDP reveals a rapid increase in expenditure. For the past forty years, Americans have recorded a steady increase in cost in excess of the other sectors of the economy (Braden, Lazenby and Levit, 1998). From 1960 to 1990, the health care took a bigger share of the GDP up from five percent to fourteen percent. Some of the factors that have fueled this increase include; â€Å"ObamaCare† was signed into law on the 23rd day of March 2010 by President Barack Obama. In combination with the Health Care and Education Reconciliation Act amendment, they represent the most remarkable regulatory sanitation of the United States health care system in the history of the country since the Medicaid and Medicare passage in 1965. The Affordable Care Act was enacted to; increase the affordability and quality of health

Sunday, September 22, 2019

When will they run out Essay Example | Topics and Well Written Essays - 500 words

When will they run out - Essay Example Scientists predict that no sooner than later people will start getting badly affected by floods, extreme temperatures, climate changes and lack of water and food. Human population will increase by 50% by 2050 and we know that human activities greatly affect the climate changes thus causing global warming. For example, human induced developmental activities in factories and industries lead to emission of toxic and greenhouse gases thus increasing the earth’s average temperature (see Figure 2). Ehrlich and Ehrlich state that â€Å"Global warming, acid rain, depletion of the ozone layer, vulnerability to epidemics, and exhaustion of soils and ground-water are all†¦related to population size.† This leads to planet un-sustainability because crop failures and AIDS will lead to many premature deaths in the coming years which will be a natural measure of population control. Since our planet’s natural resources are already being over-consumed, the increasing populati on will naturally cause global warming because too many people consume carbon-based energy. We use energy to exist, develop and grow. Energy makes our lives simpler for us. The energy industry produces for us heat, light and force. Since our needs are not going to get fewer in the next twenty years, therefore, as Taylor and Parish (viii) state, â€Å"By all accounts, the energy sector will be the growth industry of the future.† They also state that â€Å"The U.S. Department of Energy estimates that the United States will need 44 percent more electricity by 2020.† This is because the demand will increase since the country’s economy and every other field is digitally driven. Today, computers and all other technological tools take around 13% of electricity produced and this is going to increase in the coming years. Also, since internet has become a significant source of telecommunication in all informational and entertainment activities, the demand of energy will continue to increase. Renewable energy

Saturday, September 21, 2019

Desktop Publishing - skating brochure Essay Example for Free

Desktop Publishing skating brochure Essay The Manager a new skate park in Preston Mr. Daniels (Preston Skate Park) has asked me to produce a brochure for the new release of the park to attract as much publicity as possible to hand out around Preston this will include prices, opening hours and information about the park e. g. location. Before this idea he used to just put a few posters up displaying the information. To produce this poster the manger used to just design the posters by hand and photocopy them. This is one manual way of designing the poster the new way will look better\professional and will be a lot easier to produce. There are a number of possible methods of solving this problem. I could use page plus, Coral Draw, Paint or Microsoft Publisher these are all very good desktop publishing programs. I could use Microsoft Paint but there is no word art/ Clip art and other very useful features it is also very difficult to edit when it is there and is just not very easy to use. The only quick and simple solution would be to use a desktop publishing like Microsoft Publisher because this is the only one the school has and most of my work will be done there. The manager of Preston Skate Park wants the following to appear the brochure: The brochure should attract more attention by have lots of different colours   Information on the opening times and costs per hour   Reviews of the top skaters that have visited the park.   Their text should be clear for people to read.   The brochure should look as professional as possible   It should include pictures of the park All of these can be done very easily in Microsoft Publisher and use from a program such as paint to customize the pictures. All so I may use internet explorer (web browser) to gather more information and pictures. I will also be using camera\scanner to get picture of the skaters. Analyse I have decided to use Microsoft Publisher to solve the problem that the manager of Preston Skate Park. This will allow me to solve all of the problems set in the identify section. Other software and hardware that I will include: Software Reason Paint Shop Pro To alter some of the images downloaded from the net, taken from clipart, to alter photographs and create my own camera software To transfer the images from the camera onto disk Internet Explorer The internet browser that I will use @ school/home to get information on the show and collect various images. Scanner Software To scan images of skaters Hardware Reason Fuji Finepix 2600 To take pictures of the console and pads Canon CanoScan To scan images from magazines HP DeskJet 1220PS To print the images so that the manager of eclipse can check the layout Input I will be collecting information from a number of sources. This includes: Getting all the information that the manager knows about the park. Meeting the skaters of the park asking them what they think. Pictures of the Skate Park from the Internet, camera and scanner. Processing The thing I may have to do to my project Front Size/Style of writhing (easy to read)   Front colour is adjusted so it stands out against the background   Keep the text the same size/font all the way through to make it look more professional   Make background as interesting and as eye-catching as possible   The digital pictures will need processing (Either by using paint shop pro to adjust the colours or the cropping tool in Publisher) Crop all images used to size needed Output The main output will be a 4-side brochure. I will print out an example of the brochure for the manager to check. Backup/Security. Since the majority of the work will be done at school where the work will be saved on the school network. This means that the work will be backed up every night. During a lesson I will save my work regularly just in case the power fails or if theres a problem with the computer. Once the presentation has been installed, the computer that runs the program is locked away so that no one can alter the programme. At the skate park I doubt the computers will all be linked up to a main server like at school. So to ensure the data is safe they will have to be regally backed up to cdrw/dvdrw or zip drive to ensure the data is safe.

Friday, September 20, 2019

Individual Roles in Groups | Reflection

Individual Roles in Groups | Reflection Explore and discuss individual roles and function within groups using a reflective model This essay will explore, discuss and evaluate individual roles, processes of group formation and function within groups. It will look at reflection and the importance of reflection in paramedic practice. It will reflect on my own experiences during the role I played while participating in a group presentation. It will do this by using Gibbs reflective cycle (1988) as a model (Appendix A). Reid (1993) states that within healthcare, reflection has been defined as the active process of reviewing, analysing and evaluating experiences, drawing upon theoretical concepts or previous learning, in order to inform future actions (Cited in White et al 2005). In simplistic terms this means to learn from previous experiences and to implement effective positive changes to practice. By doing this the individual will give the patient a better experience. As a result of reflecting upon practice, this will encourage pro active learning and develop autonomous professional and clinical practice (White et al 2005). Gibbs (1988:09) believes that if an experience is not reflected upon the learning potential will be lost forever. The University of Leeds devised an experiment which supports this statement, Assessment and Learning in Practice Settings (Cited in White et al 2005) (Appendix B). The results of this experiment suggest that reflective practice is a vital skill for future paramedics (White et al 2005). It will enhance personal and professional development, therefore helping you to be constantly learning to excel in your chosen profession. Adair (1989, cited in Rogerson et al 1996) stated that a group is a gathering of more than two people that are identifiable by a type or name. The group should have the same goals and will need to help each other in order to achieve the reasons that they initially joined. He suggests that there are stages in the formation of groups known as group dynamics. This explains a groups behaviour and progression through four sequential stages; forming, storming, norming and performing (Adair 1989, cited in Rogerson et al 1996) (Appendix C). By way of practical example I will reflect on a group presentation in which I recently partook. When the group first met we discussed the assignment. At this stage we were in Adairs forming stage. We discussed ideas for the presentation and came up with times we could all meet. Nothing was actually confirmed we all just aired our opinions, no real progression was made during this stage. I do not believe we went through the storming stage as we did not argue over the logistics of the presentation. However we did utilise a democratic decision making process to avoid conflict. Throughout there was not a particular person who took control, we all got involved as much as each other. If two or more ideas were put forward regarding the same thing, a majorities vote always won. At each meeting we progressed and all had similar ideas to how we wanted the presentation to conclude. We were now at Adairs norming stage. At this point we were all in agreement and communicating effectively, we had group unity. Rogerson et al (1996:78) says that for a group to succeed a essential component of effective communication is necessary. We were in the Performing stage when we were ready to deliver the presentation on the allocated day. I felt a little more practice would have made everyone feel more comfortable in their roles and perform better. Benne and Sheats (1948) identified 26 different group roles from their article titled Functional Roles of Group Members (Appendix D). They categorised the group roles into three categories; task roles, personal and social roles and dysfunctional or individualistic roles. During the forming stage I believe I was the initiator/contributor as I suggested several ways of perusing our goal and in the norming stage I was the orienter. This is because during this stage I pointed out what else was needed to be included that I felt was missing and at each meeting I suggested what we should complete before leaving. The group all had the same goal which helped us to progress quickly and in addition to this we did not have any dysfunctional roles being played in our group, e.g. a blocker this type of role disagrees with everything being said and inhibits progression. We all wanted to ensure the task was done. Examples of other members roles are; an encourager who praised the group and kept us m otivated and we also had elaborator this role builds on other members ideas. This agreement and support was probably due to a shared common goal. During the formation of groups Hartley and Illingworth (2006) implied that social and emotional effects are often overlooked on individual group members. This was evident when we used the majority rules rule. The thoughts and feelings of the individual/s that were not in the majority whilst voting were not considered. This could cause them to feel inadequate and not worthy of further input. Fujishin (2007:80) suggests that while decisions are being made fast and therefore saving the group time. This does not permit commitment from the entire group as they do not fully agree with the route being taken. He suggests that for entire group commitment an alternative method of deciding would be required. I would be sure to fully listen to other peoples ideas if I was put in the same predicament, rather than immediately have a vote. During one of the set meetings there was one student who could not attend, we continued with the meeting without them. This was unfair to the student as we progressed without his thoughts or feelings. But unfair to the group as the deadline wasn’t extended due to him being unable to attend and this was a setback to the group as a whole. The next meeting took a long time to get going as we had to take the time to explain what he had missed. Continuing without the student lost us time when a the meeting could have been rearranged to a time when everyone could have attended. Listening to individuals ideas and recognising their feelings requires the ability to act upon ones own emotional intelligence. Emotional intelligence is to be aware of and in control of the management of your emotions, reactions, goals, intentions, and those of other people and their feelings (Gloeman 1995, cited in Chapman 2012). Cartney and Rouse (2006, cited in Chapman 2012) supported the benefits of taking into consideration the emotional impact on others. I have learnt that reflection using Gibbs (1988) model and effective communication plays a crucial part of academic learning, day to day and self learning and progression in practice. Bolton (2001, cited in Blabber 2008:62) believes thoughts and feeling are brought out of individuals by writing, that otherwise would not surface. It also facilitates a connection between the classroom and practice that would not otherwise be established (Rolfe et al, cited in Blabber 2008:62). This reflection has taught me to ensure that each individual is heard, encouraged and not left out as this will aid progression to the task in hand. As we can see reflection is important during paramedic practice. This widens our knowledge and encourages better practice (White et al 2005). This can help the paramedic to treat each individual patient with their own specific needs. Emotional intelligence which is realising the effects of your own interpersonal skills and attitude also plays a huge part of giving the right patient in the right place the right treatment at the right time. If this was not used in the correct way you could intentionally or unintentionally hurt someones feelings, resulting in ineffective communication and bad practice. This experience has taught me that camaraderie appears to be a vital component of becoming a successful paramedic. Other theorists also said Reflective practice is deemed an essential skill for future practitioners to learn and perform and pr ovides the framework for transferring and applying learning into different practical scenarios (Fearly, 1999; Duffy, 2009) Changes in Fashion and Technology: Impact of the Internet Changes in Fashion and Technology: Impact of the Internet Urban Fashion Urban cities like New York, Paris, London or Tokyo have too much to offer, there are lots of entertaining varieties of services, while its all depends on the product we buy from the electronic portals (Internet buying). The more opportunities we can have in the big cities or urban areas then in rural area. Its not always about the living as orthodox but sometimes its about the passion and the search of creativity for the destruction of hunger or we can say like to mark the business growth upwards we have to stay in the cosmopolites cities. There is a big connection in between the fashion and the mass populated areas, as the fashion business related peoples are keen to know the taste to develop the products according to the need of the customers as in mass places we can find different kind of peoples with different aesthetic senses. We have e-commerce and Internet which we can relate to the theory of Long tail in terms of culture and idea space now days. By focusing on the individual products could have given us the beneficial approach but also it would leads to the drawback of saturation in the market or in terms of products. Mass customization, through Internet selling would further facilitate the idea and capital earning. In living in the mass populated cities will also give the ecumenical advantages as well as the mass variety to select the suitable strategy for the establishment of the business. Designers and fashion houses would get more prospers in these kind of area that they can offer more as well as they could have more customers to buy the products also cities have usually wide distribution demand becomes concentrated. Cities are the natural house for the shopping malls, super marts, pubs and cinema houses; its easy to find the peoples with idiosyncratic taste from 9 million peoples in the city. (http://en.wikipedia.org, 2005) From retail space to Online The role of shelves in a retail apparel store is same as the normal groceries store or book store. The more the product is visible, the more the product sells. (Anderson, C, 2006) So there is always a great demand for the golden shelves that are just below the eye level. Managing the shelves space is becoming more and more crucial to the retailers. The same is for the fashion retailing also. In fact the shelves have got a more importance in a case of a multi-brand retailer. In most of the cases the ‘new arrivals are given the preference and are placed in the shelves which are most visible to the customers. The retail space has to be managed in a way that the sales generated should be more than the rent of the store itself and in addition it has to make profits. Well this problem can be reduced by removing the activity of buying goods from a store and replacing it by the means of online shopping. By introduction of online shopping, the storage of the products may be moved from a central location to a warehouse outside the cities, where the rent is very minimal. Also according to the latest estimates, by 2020 the retail sales in USA will be a mere 15% of the total sales. This doesnt mean that the retail store sales will be affected until there is a huge shift of the wholesale to the online shopping. (Markham, J. E, 1998) The latest trend is that the retailers are focusing on having very minimal number of products in their stores and maintain a large amount in the central warehouses. The Point of Sales (POS) are tracked daily and based on this, the products are replenished accordingly. The importance of small and large retail stores The hyper marketing store and large retailer shop in recent year shows sign of decline in department store but the number of small size boutique or retailer shops which benefit from accurate interior decoration and adhering the gratification rule of marketing , seems to be increase due to several reason unless location prices and financial issue.( Matthew M. Chew August 2008) As it mention in Small Fashion Boutiques and Retail Change in China wrote by Matthew M. Chew from Department of Sociology, Hong Kong Baptist University Kowloon Tong, Kowloon, HKSAR, China (Project Code: 4450082) †the two advantage of small retail store compare with large retail store categorize in relational marketing and store branding†, although the smaller retail shop cannot pay for expensive advertisement like cooperating with mass media or make use of innovative marketing value and tools due to their low space size and lack of capital but As it mention in Small Fashion Boutiques and Retail Change in China wrote by Matthew M. Chew from Department of Sociology, Hong Kong Baptist University Kowloon Tong, Kowloon, HKSAR, China (Project Code: 4450082) †their small size put them in position to develops relational marketing with their customer much more thoroughly and deeply than lager retail shop†. Relational marketing This concept directly affected the customer retention and maintain reciprocal relation between customer and retailers which strengthening the customer base, obviously the small size retail shop run by one or at least two person which increase the chance for direct communications and relationship with clients which increase the level of trust and service, also the customer loyalty might be increase if the retail shop owner benefit from accurate communication skill or using marketing tricks like put some present or attractive personal massage in cloths or accessory package also building reputation can be based on providing qualified product with affordable prices or offering some exclusive or unique fashion brand or upcoming designing, As it mention in Small Fashion Boutiques and Retail Change in China wrote by Matthew M. Chew from Department of Sociology, Hong Kong Baptist University Kowloon Tong, Kowloon, HKSAR, China (Project Code: 4450082) â€Å"they selling selves not merely the apparel items †. Store branding Indeed the small retail shop try to develop the store as a brand this can happened in two way which are, establishing store brand due to characteristic, opinion and life style of the owner of small retailer shop or through the suitable interior design of physical store or web shops hence the personal afford of the owner essential for building reputation so the owner should has tidy and attractive apparent in any condition and dressed like a fashion guide, the owner should has specific and unique life style with proper communication skill. (Matthew M. Chew August 2008) The store location and the degree of fashion ability combine with suitable decoration are important for small retail store to compete with other retail store in department store most of the small retailer shop are based in the middle flour of department store construction which is provide more comfortable, non invasive environment that customer can focus deeply on designer clothes or accessorise in small retailer shop, the recent matter cause progressing the level of service and reach more potential customer. The small retail shop free to mix and use different brands and they are very flexible on the other hand they cannot benefit from in- store events to increasing the amount of shopping value and overcome competitors but they are able to use proper decoration like exaggerating perspective, 3D dimensional spaces, spot light, light and fade colour even the location of high fashion or popular designer clothes is seems to be important usually they should place in the middle slab of the shelf. (Matthew M. Chew August 2008) Fashion in Department Stores For not long ago people tended to go to fashion stand-alone stores whenever they were looking for fashion articles. The stand-alone stores consisted of one main fashion brand and the articles offered by it. These articles could be anything from basic-collections to the newest collection of the season. Customers preferred to visit these stores and shop whatever they desired from the brand in that specific store. As a result of having a stand-alone store the range of articles within the store was of course wider and also the amount of garments within each collection was greater. And additional opportunity is the fact that stand-alone stores can easier create a whole experience around the brand that is offered by designing the store in that specific way that is appropriate for the that specific brand. (Geo Journal 45:255-264, 1998) The concept of department stores could be seen as one of societies most innovative and influential establishments since it also changed the business world particularly from the mid 1800s to the 1930s. Not only did the concept give birth to the consumption culture but also to the modern shopping center, where everything could be found beneath one roof. Hence, today, as a result of the growing market of fashion and the also the increased knowledge of customers, fashion brands and their products are being demanded in greater markets. Customers are enjoying their opportunity of having the ability to choose from several different brands and products and also to compare. Customers like the bigger format of department hence the retail formats are no longer being seen upon as the best safe option for the retailers. These demands have elaborated in more fashion brands locating themselves within different kind of department stores. (http://www.articlesbase.com, 2009) Luxury fashion brands such as Burberry, Gucci, and Armani have their shop-in-shop stores in Illum department store in Copenhagen. (http://www.illum.eu/, 2009) Moreover, Harrods which can be considered as one of the worlds biggest department stores with over 330 departments of shopping spaces, actually have their motto saying â€Å"Omnia Omnibus Ubique† which basically means â€Å"All Things for All People, Everywhere†. Harrods have a much wider range of brands such as Christian Dior, Oscar De La Renta and Versace, however they also have less luxurious brands such as Adidas and Acne. (http://www.articlesbase.com, 2009) With the establishment of department stores, companies are able to enter a larger market and make their brand more approachable to customers. However, usually in a department store, each and every brand is dealing with a smaller location to display their products in and these locations are called shop-in-shop stores. However, this means that brands have not enough space for all their products, as in their own stand-alone stores. Usually, in this case, the brand would have to choose the specific garments it would prefer to show and sell within that restricted space. The most usual way of selecting these items is to have the most significant items for that specific brand and additionally some basic along with the latest seasons and more procured items. The result would be that each and every brand within the department store would have their restricted space offering only some items from their collections. (Fashion Retail Marketing lecture 2009-11-13) Hence, one can conclude that department stores can look more attractive and also give the customer the awesome feeling that he/she have a lot to choose from, however, by looking deeply into these shop-in-shop stores, one realizes that the variety being offered is not enough, since some articles would always be missing. Online Visual Merchandising Since apparel is a product that needs to be experienced, the visual merchandising of it in online stores is more critical than for other kind of websites offering other products. Hence it is off great importance that the result of visual merchandising in online stores really creates the environment needed for visitors in order for them to obtain that desired experience. It is also important to offer more visual product information and various product presentations, in, for example, colors, styles, and sizes etc. (Ha, Y., Kwon, W.S, Lennon, S. 2006) One of the main problems with physical goods is the categorization of the products within a store. This topic is very important for department stores and their shop-in-shop stores, since the restricted space makes it more crucial to create a successful visual merchandising so that customers can find what they want easily in the logically and visually created environment. (Ha, Y., Kwon, W.S, Lennon, S. 2006) However, with the development of online retailing the concept of categorizing the products has been taken to another level since within online retailing, companies are more independent on their choice of categorizing and visualizing their products. Hence, by giving the customer ability to search for the product online one will actually make it easier for them to find what they are looking for. Additionally the overall customer service can be increased by providing your products online. (www.businessweek.com, 2009) Although many luxury fashion brands are still very cautious about selling their products online, a great amount of them have understood the importance of online retailing and does actually offer their products on pages such as the online fashion boutique Net-a-porter.com. On their website, the customers are both given various ability to look for products in categories such as designers, clothing, shoes, bags, accessories etc and within these categories one find more specific sub-categories, such as for designers one find the names of different designers, for clothing one find dresses, skirts, jackets etc, and these goes on for all categories. However, another way of searching for their products is through the â€Å"search-box† where they can write specifically what they are searching for and easily see if the online store has the product are not. (http://uberkid.typepad.com, 2007) E commerce and its advantage and disadvantage Nowadays most of the fashion brands and company recognised the e-commerce as strong marketing tools due to daily consumption of Internet, available progressive technology, customer awareness and precious time using so it is natural reaction if e -commerce increase among most of the retailer company. (NVision, 2008) These days large number of customer tend to shopping from the web instead of wasting their time in crowded uncomfortable environment such as physical retail store there are different advantages and disadvantages for online shopping, the availability and save time can be recognize as a advantage so the customers can shop whatever they need without facing time limitation, it is easier for customer to find certain style in web shop than the physical store only by searching via essential information such size, colour, type, also client can compare the price of the goods and heat the best choice. (Laudon Traver, 2008, p. 346) The disadvantages of the online shop are the customer cannot touch or test clothes or accessories and that would be a serious problem which increase the product returns, also delivery time is critical for most customer and long delivery time will decrease the level of service and ruin the brand image, the other important thing is, the security of web site should be consider to avoid online rubbing of credit cards information by hackers (Laudon Traver, 2008, pp. 345-355). the retailer can reach more customers via online shopping and there will be no need for rent or buy expensive location for establishing physical store, it is easier for retailer to change the characteristic of their goods like prices and answer to their customers real needs but during online shopping there is no chance to gain benefit from effective communication skills and the web shopper should gain their customer trust in another way than direct relationship. (Laudon Traver, 2008, pp.556-557) CRM-system Online shop can earn profit by using customer relationship management system, this system help the online shop to collect their customer personal information and also their outcome like their opinion and suggestion with correct using of such system it is possible to record the interaction between customer and online shop and company can find out various needs of different customers so the customer loyalty increase dramatically and it have influence on level of service and customer retention, so the company can customize various marketing strategy to cover enlarge demand of e-customer the information collected by phone or email. (Xu Walton 2005) Internet- customer location The retail geography is very important in any business whether it is a groceries store, book store, fashion outlet etc. There are many factors that are taken into consideration while selecting a location of a store. Factors such as the customer concentration, customer behavior, local conditions, transportation network etc are very critical in the selection of a location. Stores that do not consider these factors will not be able to attract the customers. Also the maintenance costs of such store will also be more that the revenues generated by it. Even the physical distribution costs will also be high for such stores which are inaccessible due to very bad transport network/infrastructure. Despite of doing a lot of research for selecting the right location for a store, not all stores are successful. One of the main reasons for this is that the customers are usually distributed over a large geographical location. (Anderson, C, 2006) For such scenarios the online shopping is proving out to be a good alternative. But again the consumer behavior is critical due to the fact that most of the consumers still tend to have a physical touch of the products they buy. Well this can be applied to the fashion industry also. Most of the fashion retailers tend to open their stores mainly in bigger cities that too in prime locations. The bigger cities have higher population density and there is a high tendency of doing a good business. The best examples are location such as 5th Avenue, New York, West End, London etc which are now termed as the shopping districts. (http://en.wikipedia.org) Most of the bigger fashions brands want to open their store in these locations and are ready to pay astronomical prices are rent. One of the main advantages of these locations is that they are easily accessible. Another factor that influences the store location is the consumer behavior. One cannot expect a luxury brand like Gucci or Chanel to do good business at a location which is filled with consumers who do not have a high purchasing power. Also the local conditions such as climate, geography etc also plays a major role. (Markham, J. E, 1998) A skiwear store can do a very good business at locations where there are mountains and snow. The same way the surf wear brand can sell it products only at locations which are nearer to beaches. So Location is very crucial. Over the last decade the best solutions that have evolved for the problems related to customer geography is the Internet. Internet allows the feature called the Online shopping which enables the customers to buy the products from their homes is becoming more and more popular. Online shopping is advantageous for both the retailers and the customers. The main advantage for the retailers is that it allows them to reach the low density customers with the same efficiency as the high density ones. (Anderson, C, 2006) This is the reason that most of the traditional retailers are spending a lot of money in building up their own web shopping applications (For eg: HM, Gina Tricot etc). Some of the success stories are www.nelly.se and www.ellos.se. Though the online shopping is a best way to reach the low density and remote customers, it should be well supported by a good distribution system. Networking in the fashion world Before this television, computers and these virtual medias there were radios, those were knows as the king for the entertainment, there were only few broadcasting stations. But in twentieth century gradually this place was taken by the television and can see this trend fully involved with the human life. TV was the trend driven media before the computer and Internet, the plate form from which we can connect to the whole world is Internet. The relation of the capital earning is connected to the key factor i.e. the more networking you have in terms of marketing the more you earn. For the fashion brands and for the sake of business its more important to have the networking among the social circle of fashion peoples. Aside from using scarce distribution resources promptly or efficiently by aggregating and emphasizing on the customer, now days the strongest Medias are advertising and virtual learning via Internet or television. Once the advertisements or commercial of your product hits th en you can earn money and can touch the blockbusters level. But do you know how to make the hit; there are 2 to achieve this level. Deep search unpredictable genius. Use lowest denominators formula to create optimized product to sell. The principle related as general for the entertainment for last 10 decades was economics and distribution were scarce and the consumer attention was distracted. Its the fact that not everyone can make the movie, broadcast and makes it on air. Those have done it was the opportunity for them to capture the market. As its the sellers market and they can also to afford to waste attention. (www.bbb.org, 2008) The future of Internet in fashion The customer behavior has been changing over time and this also made the retailer to make changes accordingly. The change in the shopping experiences has moved from the traditional bazaars to independent stores/boutiques, and then came the franchisees, then the multi brand retail stores etc. This trend doesnt seem to stops anywhere. But over the last couple of decades the evolution of Internet is changing the whole scenario. (http://en.wikipedia.org) The use of Internet has been expanding at an enormous rate, especially in the last decade. (www.Internetworldstats.com) Of the time the people sit in front of the computer, 80% of the time they spend it on the Internet. The Internet has become a part of lifestyle today. The use of Internet has enables people to do most of their works online sitting in front of the computer. The shopping experience has also been influenced by the Internet mania. The customer prefers to buy the products from the Internet and as per latest estimates the cus tomers in UK spend around 17 pence in every pound they shop. (http://news.bbc.co.uk) This trend is growing and it seems that the future retailing will be dominated by the Internet. The rise of Internet has also caused a lot of dangers. The main disadvantage is that the customers cannot really check the product physically. Especially with the fashion industry, where purchased products look very attractive on retailers webpage but when finally when the products arrives he may not be satisfied with the fabric, fitting etc. So this will make the customers to return the products to the retailer. This situation is a very big problem as most the customers dont know how to return back a product to the retailers, who will be paying the postal charges etc. (http://www.oft.gov.uk) Another disadvantage of Internet shopping is the security and privacy risks. The critical information of the customers such as the name, address, credit card details etc are stored online and if no required security is maintained, there is a high probability of this data ending up in wrong hands. Another problem with the online shopping is the inability to adhere to strict delivery times. Someti mes the products do not arrive at the time the customer wishes and this will create a lot of problems. Improper distribution system is the main cause for these kinds of products. (Anderson, C, 2006) Some other problems are the hidden costs which are advertised as free but carry more price than the original. This usually happens when the retailer advertises products for free but charges high shipping costs than normal. (http://www.oft.gov.uk)

Thursday, September 19, 2019

A Comparison of the Power of Will in Heart of Darkness and Apocalypse N

The Power of Will in Heart of Darkness and Apocalypse Now      Ã‚  Ã‚  Ã‚   The story of Heart of Darkness was adapted to film after many failed attempts. (Hearts of Darkness, Coppala E.). Finally, director Francis Coppala collaborated with his friend John Milius on writing a screen play for Conrad's masterpiece. The two came up with Apocalypse Now, utilizing a more modern setting than the original story which was based in imperialistic Europe. The modern setting was that of the Vietnam war. Apocalypse Now focuses on the insanity of a decorated military colonial. "Kurtz intended to enlighten the natives, but instead he circums to the primal temptations of the jungle and goes insane." (Hearts of Darkness, Coppala E.)    The fiction of Joseph Conrad, as seen in Heart of Darkness, represents the teachings of the German philosopher and idealist Arthur Schopenhauer. Schopenhauer thought of the world as having two distinct entities, both of which are parts of the whole [world]. First, there is the world of representation or appearance. This is the phenomenal world which is made of tangible objects. For Schopenhauer the second entity being the thing-in-itself is will, and is the cause of everything. {Frost}. "The phenomenal world [world of representation] is merely an image; it mirrors the will, the real world." (Sahakian). Schopenhauer, being of pessimistic views, argued will to be a force that both "creates all and destroys all in its insatiable demand for " 'More!' [More of what it does not know it only knows that it wants more.]" (Palmer). All human actions are a result of will. As seen through the character of Kurtz, the world of will manifestates suffering, evil, and insanity into the world of perce ption.    There are m... ..., Francis Copala, and John Milius. Paramount, 1989. Palmer, Donald. Looking at Philosophy; The Unbearable Heaviness of Philosophy Made Lighter. 1988. Mountain View, CA: Mayfield Publishing Company, 1994. Sahakian William S. History of Philosophy. New York, Barnes and Noble Books, 1968. Schopenhauer, Arthur. Essays and Aphorisms. Trans. R. J. Hollingdale. New York, Penguin Books, 1970.    Works Consulted: Boyle, Ted E. Symbolism and Meaning in the Fiction of Joseph Conrad. 1965. ` Folcroft, PA; The Folcroft Press, 1969. Johnson, Bruce. Conrad?s Models of Mind. Minneapolis: Minnesota UP, 1971. Murfin, Ross C. Joseph Conrad, Heart of Darkness: A Case Study in Contemporary Criticism. New York: St. Martin?s Press, 1989. Wollaeger, Mark A. Joseph Conrad and the Fictions of Skepticism. Stanford, CA; Stanford UP, 1990.    A Comparison of the Power of Will in Heart of Darkness and Apocalypse N The Power of Will in Heart of Darkness and Apocalypse Now      Ã‚  Ã‚  Ã‚   The story of Heart of Darkness was adapted to film after many failed attempts. (Hearts of Darkness, Coppala E.). Finally, director Francis Coppala collaborated with his friend John Milius on writing a screen play for Conrad's masterpiece. The two came up with Apocalypse Now, utilizing a more modern setting than the original story which was based in imperialistic Europe. The modern setting was that of the Vietnam war. Apocalypse Now focuses on the insanity of a decorated military colonial. "Kurtz intended to enlighten the natives, but instead he circums to the primal temptations of the jungle and goes insane." (Hearts of Darkness, Coppala E.)    The fiction of Joseph Conrad, as seen in Heart of Darkness, represents the teachings of the German philosopher and idealist Arthur Schopenhauer. Schopenhauer thought of the world as having two distinct entities, both of which are parts of the whole [world]. First, there is the world of representation or appearance. This is the phenomenal world which is made of tangible objects. For Schopenhauer the second entity being the thing-in-itself is will, and is the cause of everything. {Frost}. "The phenomenal world [world of representation] is merely an image; it mirrors the will, the real world." (Sahakian). Schopenhauer, being of pessimistic views, argued will to be a force that both "creates all and destroys all in its insatiable demand for " 'More!' [More of what it does not know it only knows that it wants more.]" (Palmer). All human actions are a result of will. As seen through the character of Kurtz, the world of will manifestates suffering, evil, and insanity into the world of perce ption.    There are m... ..., Francis Copala, and John Milius. Paramount, 1989. Palmer, Donald. Looking at Philosophy; The Unbearable Heaviness of Philosophy Made Lighter. 1988. Mountain View, CA: Mayfield Publishing Company, 1994. Sahakian William S. History of Philosophy. New York, Barnes and Noble Books, 1968. Schopenhauer, Arthur. Essays and Aphorisms. Trans. R. J. Hollingdale. New York, Penguin Books, 1970.    Works Consulted: Boyle, Ted E. Symbolism and Meaning in the Fiction of Joseph Conrad. 1965. ` Folcroft, PA; The Folcroft Press, 1969. Johnson, Bruce. Conrad?s Models of Mind. Minneapolis: Minnesota UP, 1971. Murfin, Ross C. Joseph Conrad, Heart of Darkness: A Case Study in Contemporary Criticism. New York: St. Martin?s Press, 1989. Wollaeger, Mark A. Joseph Conrad and the Fictions of Skepticism. Stanford, CA; Stanford UP, 1990. Â